First published in 1964.
|Statement||With a foreword by the Earl of Bessborough.|
|The Physical Object|
|Pagination||iii, 20 p.|
|Number of Pages||20|
Spenser's Faerie Queene: A Critical Commentary on Books I and II Douglas Brooks-Davies, Edmund Spenser Snippet view - Common terms and phrases. Spenser's Faerie queene: a critical commentary on books I and II. [Douglas Brooks-Davies] Add tags for "Spenser's Faerie queene: a critical commentary on books I and II". Be the first. Similar Items. Related Subjects: (8) Spenser, Edmund, -- ? -- Faerie queene. The Faerie Queene: Book I. A Note on the Renascence Editions text: This HTML etext of The Faerie Queene was prepared from The Complete Works in Verse and Prose of Edmund Spenser [Grosart, London, ] by Risa S. Bear at the University of Oregon. In "A Preface To The Faerie Queene," written by Graham Hough, Hough opens the first chapter with "To Milton, the poet of The Faerie Queene was our sage and serious Spenser, a better teacher than Scouts or Aquinas". To Hazlitt, it was equally clear that 'the love of .
Summary Book 1, Canto 4 The Redcrosse Knight is still traveling with Fidessa, now revealed to be the sorceress Duessa. They enter the House of Pride, a grand castle built on a flimsy foundation. Lucifera, the queen of the house, sits with a dragon at her feet. Edmund Spencer's prime motive in writing The Fairie Queene was to demonstrate virtues of a gentleman or a noble person. The virtues were to be illustrated by a series of adventures of the twelve knights who represented one virtue each among the twelve gentlemanly virtues of King Arthur before he was king. For instance, Red Cross Knight in the first book represents holiness and the rest of the. The Faerie Queene was written over the course of about a decade by Edmund published the first three books in , then the next four books (plus revisions to the first three) in It was originally intended to be twelve books long, with each book detailing a specific Christian virtue in its central character. The Faerie Queene fits in the category of important books so big that they often stay in our “to read” pile for years on end.I still haven’t read Ulysses by Joyce, which is only as long as a Stephen King warm up. Still, these longish books tend to gather too much dust. The Faerie Queene is an important book—really a collection of books. Spenser was writing The Faerie Queene at the .
Though she never appears in the poem, the Faerie Queene is the focus of the poem; her castle is the ultimate goal or destination of many of the poem’s characters. She represents Queen Elizabeth, among others, as discussed in the Commentary. Redcrosse The Redcrosse Knight is the hero of Book I; he stands for the virtue of Holiness. First among the poetic geniuses of the Elizabethan period came Edmund Spenser with his Faerie Queene, the allegory of an ideal chivalry. This poem is one of the fruits of that intellectual awakening which first fertilized Italian thought in the twelfth century, and, slowly spreading over Europe, made its way into England in the fifteenth century. In Spenser's Supreme Fiction, Jon A. Quitslund offers a rich analysis of The Faerie Queene and of several texts contributing to the revival of Platonism stimulated by Marsilio Ficino's labours as a translator and interpreter of Plato and the ancient Neoplatonists. King Arthur already had a place in the mythic consciousness of Britons, and legends had accumulated around his name, including one that he would one day return from his long, healing sleep to lead Britain into a new Golden Age. He is the ideal consort for Gloriana, the Faerie Queene. He is the Knight of Magnificence, the perfection of all virtues.